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On Flinching Theatricality and Scientific Looking from Darwin to Shell Shock by TIFFANY WATT SMITH[oxford](pradyutvam2) pdf

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  While the end of the
nineteenth century is often associated with the rise of objectivity and its ideal of a restrained observer, scientific
experiments continued to create emotional, even theatrical, relationships between scientist and his subject. On
Flinching focuses on moments in which scientific observers flinched from sudden noises, winced at the sight of an
animal's pain or cringed when he was caught looking, as ways to consider a distinctive motif of passionate and gestured
looking in the laboratory and beyond. It was not their laboratory machines who these scientific observers most closely
resembled, but the self-consciously emotional theatrical audiences of the period. Tiffany Watt-Smith offers close
readings of four experiments performed by the naturalist Charles Darwin, the physiologist David Ferrier, the neurologist
Henry Head, and the psychologist Arthur Hurst. Bringing together flinching scientific observers with actors and
spectators in the late nineteenth and early twentieth century theatre, it places the history of scientific looking in
its wider cultural context, arguing that even at the dawn of objectivity the techniques and problems of the stage
continued to haunt scientific life. In turn, it suggests that by exploring the ways recoiling, shrinking and wincing
becoming paradigmatic spectatorial gestures in this period, we can understand the ways Victorians thought about looking
as itself an emotional and gestured performance.
  
  ISBN-13: 978-0198700937
  ISBN-10: 0198700938 						

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